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RESOLUTION. SPEED. MOTION.

Fujifilm GFX100 II

Sale price$12,599.00

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Tech Specs

Model nameFUJIFILM GFX100 II
Lens MountFUJIFILM G mount
Image sensor43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter
Number of effective pixels102 million pixels
Sensor Cleaning SystemUltra Sonic Vibration
Image Processing EngineX-Processor 5
Storage mediaSD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) / SSD (-2TB)
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File format of still imageDCFCompliant with Design rule for Camera File system (DCF2.0)
JPEGExif Ver.2.32*1
HEIF4:2:2 10bit
RAW14bit / 16bit RAW (RAF original format)
TIFF8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels[L]〈4:3〉 11648 x 8736 〈3:2〉 11648 x 7768 〈16:9〉 11648 x 6552 〈1:1〉 8736 x 8736 〈65:24〉 11648 x 4304 〈5:4〉 10928 x 8736 〈7:6〉 10192 x 8736
[M]〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192
[S]〈4:3〉 4000 x 3000 〈3:2〉 4000 x 2664 〈16:9〉 4000 x 2248 〈1:1〉 2992 x 2992 〈65:24〉 4000 x 1480 〈5:4〉 3744 x 3000 〈7:6〉 3504 x 3000
SensitivityStill ImageStandard Output: AUTO1 / AUTO2 / AUTO3 / ISO80~12800 (1/3 step)
Extended Output: ISO40 / ISO25600 / ISO51200 / ISO102400
MovieStandard Output: AUTO / ISO100~12800 (1/3 step)
Extended Output: ISO25600
Exposure controlTTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure modeP (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensationStill-5.0EV~+5.0EV 1/3EV step
Movie-2.0EV~+2.0EV 1/3EV step
Image stabilizerMechanismImage sensor shift mechanism with 5-axis compensation
Compensation Effect8.0 stops
*based on CIPA standard
*Pitch/yaw shake only
*With GF63mmF2.8 R WR lens mounted
Digital Image StabilizationYes (movie mode only)
IS MODE BOOSTYes (movie mode only)
Shutter typeFocal Plane Shutter
Shutter speedMechanical shutterP mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
Electronic shutterP mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic shutterP mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min.
*Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
E-front + Mechanical shutter
(GFX: Electronic Front Curtain Shutter)
P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/1250sec.
*When using the electronic front curtain shutter, the continuous shooting supports CL only
E-front + Mechanical + Electronic shutter
(GFX: E-Front + Electronic Shutter)
P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
*When using the electronic front curtain shutter, the continuous shooting supports CL only
Movie8K/DCI8K: 1/4000sec. to 1/24 sec. 5.8K: 1/4000sec. to 1/24 sec. 5.4K: 1/4000sec. to 1/24 sec. 4.8K: 1/4000sec. to 1/24 sec. 4.6K(ANAMOR): 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/8 sec. FHD: 1/4000sec. to 1/8 sec.
*Cannot choose slower shutter speed than framerate for some settings.
Synchronized shutter speed for flashMechanical shutter: 1/125sec. or slower
Continuous shootingCH Electronic shutter Approx. 8.7fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 260 frames, Compressed RAW + JPEG 156 frames, Lossless compressed RAW + JPEG 148 frames, Uncompressed RAW + JPEG 71 frames)
CH Electronic shutter Approx. 5.8fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames)
CH Electronic shutter Approx. 5.3fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 390 frames, Compressed RAW+JPEG 119 frames, Lossless compressed RAW+JPEG 119 frames, Uncompressed RAW+JPEG 98 frames)
CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 325 frames, Lossless compressed RAW 302 frames, Uncompressed RAW 76 frames, Compressed RAW+JPEG 75 frames, Lossless compressed RAW+JPEG 75 frames, Uncompressed RAW+JPEG 55 frames)
CH Mechanical shutter Approx. 5.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 497 frames, Compressed RAW+JPEG 153 frames, Lossless compressed RAW+JPEG 152 frames, Uncompressed RAW+JPEG 116 frames)
CL Mechanical shutter Approx. 2.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames, Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames)
*Electronic Front Curtain Shutter support CL only.
*No. of recordable frames are calculated based on CFexpress Type B card in a cold start
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
Drive ModeAE Bracketing2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, up to ±3EV steps
Filmsimulation bracketingAny 3 types of film simulation selectable
Dynamic Range Bracketing100% / 200% / 400%
ISO sensitivity Bracketing±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing±1 / ±2 / ±3
Focus BracketingAUTO / MANUAL
Multiple ExposureYes (Max. 9 frames) / Additive / Average / Bright / Dark
Pixel Shift Multi ShotHIGH RESOLUTION + ACCURATE COLOR: Yes
ACCURATE COLOR: Yes
FocusModeSingle AF / Continuous AF / MF
TypeIntelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light PerformanceContrast: -2.5EV GF80mmF1.7 attached
Phase Detection: -5.5EV GF80mmF1.7 attached
AF frame selectionSingle point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
All: Yes
Face/eye detectionYes
Subject detectionYes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
FlashShoe mount flashSync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS)
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF
Synchronized terminalSync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: MANUAL
Hot shoeYes (Dedicated TTL Flash compatible)
ViewfinderEVF: 0.64 inch OLED Color Viewfinder, Approx. 9.44 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -5~+2m-1
Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° )
Built-In Eye Sensor
LCD monitor3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio: 4:3
Dots: Approx. 2.36 million dots
Touch Screen ModeShooting ModeAF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Playback ModeSwipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor2.09 inch Monochrome LCD Monitor
Aspect Ratio: 4:3
Dots: 320x219-dot
Movie recordingFile formatMOV:
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4:
MPEG-4 AVC/H.264, AAC
Movie compressionAll Intra / Long GOP
File size
Frame rate
Bitrate
[8K(17:9)] 8192 x 4320 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[8K(16:9)] 7680 x 4320 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[8K(2.76:1)] 8192 x 2968 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[5.8K(2.35:1)] 5824 x 2476 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[5.4K(17:9)] 5440 x 2868 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4.8K(3:2)] 4776 x 3184 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4.8K(16:9)] 4776 x 2688 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4.6K(1.38:1)] 4664 x 3380 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9) High speed rec.] 2048 x 1080 120p/100p 720Mbps (recording)/360Mbps (recording)/200Mbps (recording)
[Full HD(16:9) High speed rec.] 1920 x 1080 120p/100p 720Mbps (recording)/360Mbps (recording)/200Mbps (recording)
*Selectable mode will be changed depending on the "Image Format" setting.
*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.
*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.
*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.
*Selectable bitrate will be changed depends on the setting.
*Apple ProRes codec can be only recorded to CFexpress Type B card
*Bitrate for Apple ProRes codec is not selectable.
*Recording time can become short depending on the temperature and/or shooting conditions
Film simulation mode20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic ColorYes
Grain EffectRoughnessSTRONG, WEAK, OFF
SizeLARGE, SMALL
Color Chrome EffectSTRONG, WEAK, OFF
Color chrome BlueSTRONG, WEAK, OFF
Smooth Skin EffectSTRONG, WEAK, OFF
Dynamic range settingStillAUTO / 100% / 200% / 400%
ISO restriction: DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more
Movie100% / 200% / 400%
ISO restriction: DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more
White balanceAutoWhite Priority / Auto / Ambience Priority
CustomCustom1 - 3
Color temperature selection2500K~10000K
PresetDaylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting±5 steps
Self-timerStill10sec. / 2sec.
Movie10sec. / 5sec. / 3sec.
Interval timer shootingYes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Wireless transmitterStandardIEEE802.11a/b/g/n/ac (standard wireless protocol)
EncryptionWPA/WPA2 mixed mode, WPA3
Access modeInfrastructure
Bluetooth®StandartdBluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency (Center frequency)2402~2480MHz
TerminalDigital interfaceUSB Type-C (USB3.2 Gen2x1)
HDMI outputHDMI connector (Type A)
LAN Terminal1000BASE-T、100BASE-TX、10BASE-T
Othersø3.5mm, stereo mini connector (Microphone and Remote Release)
ø3.5mm, stereo mini connector (Headphone)
Hot shoe
Synchronized terninal
Power supplyNP-W235 Li-ion battery (included)
Battery life for still images*2Normal Mode: Approx. 540 frames
*Auto power save ON
*When GF63mmF2.8 R WR is set
Actual battery life of movie capture*28K: Approx. 60min. (29.97p)
4K: Approx. 60min. (59.94p)
Full HD: Approx. 80min. (59.94p)
*Face detection is set to OFF
Continuance battery life of movie capture*28K: Approx. 80min. (29.97p)
4K: Approx. 90min. (59.94p)
Full HD: Approx. 140min. (59.94p)
*Face detection is set to OFF
DimensionsWidth: 152.4mm
Height: 117.4mm
Depth: 98.6mm
(Minimum Depth: 46.5mm)
Excluding EVFWidth: 152.4mm
Height: 103.5mm
Depth: 73.5mm
(Minimum Depth: 46.5mm)
Weightincluding battery and memory card: Approx. 948g (including EVF: 1,030g)
excluding battery and memory card: Approx. 867g (including EVF: 949g)
Operation EnvironmentOperating Temperature-10℃~+40℃
Operating Humidity10% - 80% (no condensation)
Accessories includedInterchangeable electronic viewfinder EVF-GFX3
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
Vertical battery grip connector cover
Memory card slot cover
Sync terminal cover
Cooling fan connector cover
Cable protector
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Reviews

See the difference
Feel the difference

New beginnings don't start with taking new steps, they start with moving in new directions. And every new GFX System camera has taken a direction that has redefined what it means to be More Than Full Frame.

From its unparalleled image quality, to its overall mobility, the boundaries of large format imaging have continually been reimagined with every new iteration. GFX100 II continues this tradition by bringing unprecedented high-speed performance, expanded video capabilities, and lightning fast autofocus to a growing list of accolades that professionals everywhere have come to rely on from GFX System cameras.

1030g

with battery,
card & EVF

8.0stops

In body
Stabilisation
1

-10°C

Weather
Resistant

102MP

8FPS BURST
SHOOTING

8K/30P

4:2:2 10-BIT
INTERNAL RECORDING

Resolution.
Speed.
Motion.

5th Generation

Processor & sensor

GFX 102MP CMOS II HS

HIGH SPEED 102MP SENSOR

GFX100 II brings a new 102-megapixel sensor 「GFX 102MP CMOS II HS」with a readout speed that is about two times faster than GFX100S.

X-Processor 5

Powerful Processing Engine

Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.

High Speed Performance

Subject Detection AF

X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains(1) . With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.

Hendrik Osula | GFX100ii
Hendrik Osula | GFX100ii

A New Era in Autofocus

Updated AF algorithm

GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.

YUHAN MA | GFX100II
YUHAN MA | GFX100II

High Performance at High Speed

8fps High-Speed Burst

GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action.
*When mechanical shutter is selected

High Performance at High Speed

Shortened Intervals and Decreased Viewfinder Blackout

Increased buffer memory minimises any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.

Oskar Bakke | GFX100ii
Oskar Bakke | GFX100ii
Oskar Bakke | GFX100ii
Oskar Bakke | GFX100ii

High Performance at High Speed

120fps Display Frame Rate in Boost Mode

Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second - more than enough to keep up with fast-moving subjects.

High Performance at High Speed

5.3fps Blackout-Free Burst Operation

GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well.

Oskar Bakke | GFX100ii
Oskar Bakke | GFX100ii

Power and Precision for Video

Power and Precision for Video

4K/60p, 8K/30p, FHD/120p 4:2:2 10-bit Internal Recording

Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.

*Based on CIPA standards, when coupled with the FUJINON GF63mmF2.8 R WR

Power and Precision for Video

Support for Multiple Cine Recording Formats

In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.

Power and Precision for Video

Improved Subject Tracking

Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.

Power and Precision for Video

High speed rolling shutter

Follow high speed subjects with confidence – GFX100 II’s increased readout rate suppresses rolling shutter for true-to-life results.

Yukio Uchida | GFX100 II
Yukio Uchida | GFX100 II

Power and Precision for Video

RAW output via HDMI

Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.

Power and Precision for Video

FAN-001 Cooling Fan

Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.

Frame with confidence

Up to 8.0 Stops of In-Body Image Stabilisation

Low light? No worries! GFX100 II is equipped with a new IBIS system that uses image information to detect blur, and provides up to eight stops of image stabilisation* – more than any other Fujifilm camera. Confidently work hand-held in almost any lighting conditions, unlocking new levels of creativity for stills and video.

*Based on CIPA standards, when coupled with the FUJINON GF63mmF2.8 R WR

Frame with confidence

9.44 Million Dot 1.0x EVF

GFX100 II's EVF offers 9.44 million dots and a 1.0x magnification for an optimal viewing experience. Furthermore, it suppresses image drift and distortion caused by misalignment of the pupil, for the clearest possible view. 

Colour Science

New Film Simulation Mode REALA ACE

Enjoy the latest iteration of Fujifilm's renowned colour science - REALA ACE. Brand new for GFX100 II, this 20th Film Simulation combines faithful colour reproduction with hard tonality, making it suitable for all subjects and situations.

Detail in Design

New Leather Pattern BISHAMON-TEX™

A technological tour de force, wrapped in outstanding ergonomics, GFX100 II combines functional beauty with effortless practicality. Swathed in BISHAMON-TEX leather, the body of GFX100 II is covered with a  traditional Japanese-inspired imprint that improves grip in all directions.

Detail in Design

Enhanced Top-Plate

A more prominent top-plate sub-LCD on GFX100 II with a redesigned GUI for improved visibility enhances overall handling. Furthermore, the top-plate is tilted by 11°, allowing users to view information with minimal eye movement.

Detail in Design

Three Fn Buttons

Three programmable Fn buttons on the top of the grip provide greater flexibility, allowing users to make changes on the fly, so opportunities are never missed.

More than full frame

GFX System

Large format mirrorless digital camera system, achieving high level image quality.

Shop Live with Fujifilm

Personalised Advice

Connect live with the Fujifilm House of Photography team for tailored advice, product suggestions or to see products up-close, via messaging and video chat. 

1. Set “SUBJECT DETECTION SETTING” to “BIRD” when you want to detect insects and to “AIRPLANE” when you want to detect drones.